Pablo Heras-Casado, insisting on the forte, gave the prologue of the Tetralogy an interesting version that began with the awaited awakening of the river, executed in a slow tempo that accelerated until the voices of the three naiads guarding the treasure emerged. The Spanish maestro also excelled in the sumptuous final scene with the ascent of the gods to Walhalla. For the rest, Heras-Casado kept the musicians attentive to the singers and the level of the voices above that of the orchestra, making it possible to understand the texts. In sum, the conductor from Granada introduced with precision and quality his point of view on this monumental work…’.
Pablo Heras-Casado y Calixto Bieito, un Wagner excepcional en la ONP