Upcoming Dates

OCTOBER 29, 2024

Anima Eterna

Palau de la Musica
Barcelona

Soloist: Sarah Connolly – Mezzosoprano

GUSTAV MAHLER : Rückert Lieder
ANTON BRUCKNER
: Symphony No. 3 in D minor (original version)

 

Tickets

OCTOBER 30, 2024

Anima Eterna

Kursaal San Sebastian
San Sebastian

Soloist: Sarah Connolly – Mezzosoprano

GUSTAV MAHLER : Rückert Lieder
ANTON BRUCKNER
: Symphony No. 3 in D minor (original version)

 

 

Tickets

NOVEMBER 7 and 8, 2024

Gewandhausorchester

Leipzig Gewandhaus
Leipzig

Soloists: Isabelle Faust – Violin
Antoine Tamestit – Viola

FANNY MENDELSSOHN: Overture in C Major
WOLFGANG AMADEUS MOZART : Sinfonia Concertante for violin and viola, K364
LUDWIG VAN BEETHOVEN : Symphony No. 2 in D major, Op. 36

Tickets

News

BR Klassic Selects Pablo Heras-Casado’s New Bruckner Album as “Album of the Week”

BR Klassik, Fridemann Leipold "Album of the Week" "The idiosyncrasies of the historical instruments collide harshly, coarsely and rawly in Bruckner's massive agglomerations. On the other hand, their characteristic timbres are much more pronounced than on modern instruments. Imperfections are part of the sound aesthetic, because the old wind instruments...

Pablo Heras-Casado Awarded ‘Conductor Of The Year’ By Opernwelt Magazine

Pablo Heras-Casado has been awarded ‘Conductor of the Year’ by the prestigious opera magazine Opernwelt. This recognition especially highlights his interpretation of Parsifal at the Bayreuth Festival, described by the publication as ‘rhetorically and poetically impressive’. The award, considered one of the most important in the operatic world, is the...

“A luminous and urgent performance, deftly balancing the shifts from moody ruminations to bouts of exuberance.... Heras-Casado is the thinking person’s idea of a hotshot young conductor.” - The New York Times

FOLLOW PABLO

Facebook
Twitter
YouTube
Instagram
Idagio

A prueba de orquesta

A trip to the world of classical music by the hand of the most international Spanish maestro. Heras-Casado approaches classical music without restraints or prejudices, because you don't need to have musical knowledge to understand it; music is what it conveys to us, what it makes us feel. Read More

In the Press

BR Klassic Selects Pablo Heras-Casado’s New Bruckner Album as “Album of the Week”

BR Klassik, Fridemann Leipold “Album of the Week”

“The idiosyncrasies of the historical instruments collide harshly, coarsely and rawly in Bruckner’s massive agglomerations. On the other hand, their characteristic timbres are much more pronounced than on modern instruments. Imperfections are part of the sound aesthetic, because the old wind instruments do not respond as well at the onset. On the other hand, Heras-Casado and the vibrato-less strings succeed in playing wonderfully lyrical phrases – the emotional landscapes in the slow movement have rarely sounded so painful, so bleak.”

“The famous Hunting Scherzo profits especially from the historical sound design of this recording – the old horns blare out so crisply, cheekily and boldly that it is a delight. In the Scherzo’s trio, the contrast could hardly be greater: it sounds sallow and monotonous, like a hurdy-gurdy – as if Schubert’s ‘Winterreise’ were wafting over.”

“This Bruckner recording is a shock at first in its radicalism, austerity and bone-dry sound: this is what the Fourth Symphony might actually have sounded like back then. A far cry from the lush beauty of sound of our day. An exercise in asceticism that cleanses the ear. In their purification of Bruckner’s ‘Romantic’ symphony, Pablo Heras-Casado and Anima Eterna do away with all clichés and take a ruthless look at the fractures of the epoch.”

SWR Tour Press Reviews

Stuttgarter Nachrichten, Susanne Benda

A lot of C major, a lot of jubilation.

Pablo Heras-Casado does not celebrate a Bruckner of rush and ecstasy on the podium. Rather, without a baton, and thus feeling very close to the sound, he searches for connections between the blocks, for special sound colors amidst the minimalist but never mechanical repetitions. The conductor carefully builds up the climaxes in the first movement, where the brass in particular shines, and in between he repeatedly focuses on individual bars – right up to a passage in the solo trumpet, which almost seems to swing here.

Pablo Heras-Casado is the Principal Guest Conductor of Teatro Real, Madrid, artist of harmonia mundi & Deutsche Grammophon, also records for Decca Classics and Sony Classical, and is Global Ambassador of Ayuda en Acción.

     

Photos: Fernando Sancho