Upcoming Dates

March 16, 17, 2019

Münchner Philharmoniker

Philharmonie im Gasteig
Munich

SCHUMANN: Symphony No. 1 in B-major, op. 38 (“Spring”)
SCHUMANN: Symphony No. 3 in E-flat major, op. 97 (“Rhenish”)

Tickets

March 18, 2019

MÜNCHNER PHILHARMONIKER

Philharmonie im Gasteig
Munich

SCHUMANN: Symphony No. 1 in B-major, op. 38 (“Spring”)
SCHUMANN: Symphony No. 3 in E-flat major, op. 97 (“Rhenish”)

Tickets

March 21, 22, 2019

SWR Symphonieorchester

Liederhalle Stuttgart
Stuttgart

BRAHMS: “Warum ist das Licht gegeben dem Mühseligen”,
Motet for mixed choir a cappella, No. 1, op. 74
BRAHMS: Schicksalslied for mixed choir and orchestra, op. 54
SCHOSTAKOVICH: Symphony No. 5 in D minor, op. 47

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News

14 Feb 2019

Berlioz’s monumental ‘Requiem’ with the Orchestre de Paris; debut and opening of the Berlioz year

Commemorating the 150th anniversary of the death of Hector Berlioz, Pablo Heras-Casado leads the Orchestre de Paris in Berlioz’s colossal Requiem on February 20 & 21. (more…)

12 Feb 2019

Russian Masterworks with the Chicago Symphony Orchestra

This month, Pablo Heras-Casado returns to Chicago to conduct the Chicago Symphony Orchestra in an all-Russian program. On February 14, 16 & 17, Heras-Casado leads the CSO in Tchaikovsky's First Symphony (Winter Dreams), then Macedonian pianist Simon Trpčeski brings his “electrifying virtuosity” (The London Times) to Rachmaninov’s Piano Concerto No. 3. Highly...

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“A luminous and urgent performance, deftly balancing the shifts from moody ruminations to bouts of exuberance.... Heras-Casado is the thinking person’s idea of a hotshot young conductor.” - The New York Times

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Videos

Rachmaninov Piano Concerto No. 3 // Simon Trpčeski, piano // Pablo Heras-Casado, conductor

Les Siècles et Pablo Heras-Casado interprètent Debussy – Live @ Festival de Grenade

Interview – Pittsburgh Symphony Orchestra

A prueba de orquesta

A trip to the world of classical music by the hand of the most international Spanish maestro.

Heras-Casado approaches classical music without restraints or prejudices, because you don't need to have musical knowledge to understand it; music is what it conveys to us, what it makes us feel.

Chicago Symphony Orchestra reviews: A thunderous homecoming in all-Russian program

15 Feb 2019

“The wintry Scherzo went with apt energy and bustle, Heras-Casado bringing balletic lift to the waltz-like trio theme. The conductor patiently charted the final movement, giving ample breathing room to the basses in the lugubrious opening bars, and ratcheting up each appearance of the insistent main theme to the triumphant coda.”

Chicago Classical Review

Das Rheingold at Madrid’s Teatro Real

20 Jan 2019

“Lo más evidente es que su versión no se adueña de nada y vive de lo propio. Desconfía del mito, de la profundidad y recorre superficies. La partitura es antes un camino que se transita que una exploración de fondo. «El oro del Rin» suena nuevo, reformado, candente y eficazmente plegado a la idiosincrasia escénica.”

ABC Cultura

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